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	<title>Museum Of Leathercraft</title>
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		<title>LEATHER HEAVEN</title>
		<link>http://www.museumofleathercraft.org/leather-heaven-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=leather-heaven-2</link>
		<comments>http://www.museumofleathercraft.org/leather-heaven-2/#comments</comments>
		<pubDate>Fri, 11 May 2012 21:03:15 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/?p=1227</guid>
		<description><![CDATA[You are invited to the &#8216;LEATHER HEAVEN&#8217; event at Northampton Museum &#038; Art Gallery on Friday 18th May from 6pm &#8211; 8pm. The event will include: MAGIC<a href="http://www.museumofleathercraft.org/leather-heaven-2/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2012/05/leather-heaven-1.jpg"><img src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2012/05/leather-heaven-1-150x150.jpg" alt="" title="leather heaven 1" width="150" height="150" class="alignleft size-thumbnail wp-image-1231" /></a>You are invited to the &#8216;LEATHER HEAVEN&#8217; event at Northampton Museum &#038; Art Gallery on Friday 18th May from 6pm &#8211; 8pm.</p>
<p>The event will include:</p>
<p>MAGIC by David Penn &#8216;Britains got Talent 2011&#8242;</p>
<p>MUSIC by Lincoln Noel</p>
<p>STORYTELLING by Alex Ultradish</p>
<p>&#038; </p>
<p>The WATERER SPIERS leather collection. </p>
<p>So start off your weekend with an evening of music, light entertainment and an opportunity to discover more about the Waterer Spiers collection of leather. If you have in an interest in leather fashion, art, history or technology then this event, which is a part of the national programme ‘Museums at Night’ is for you.<br />
Price: FREE<br />
*This event is sponsored by the Museum of Leathercraft<br />
*This event is for adults only<br />
*There will be a bar to purchase refreshments<br />
<a href='http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2012/05/leather-heaven-21.pdf'>leather heaven (2)</a></p>
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		<item>
		<title>Chicken skin glove</title>
		<link>http://www.museumofleathercraft.org/chicken-skin-glove/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chicken-skin-glove</link>
		<comments>http://www.museumofleathercraft.org/chicken-skin-glove/#comments</comments>
		<pubDate>Mon, 23 May 2011 08:13:31 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Gloves]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=253</guid>
		<description><![CDATA[Limerick chicken skin gloves, cream edged at the wrist with silk, finely stitched, made of chicken skin and calf leather, early 19th century and glove of ‘chicken<a href="http://www.museumofleathercraft.org/chicken-skin-glove/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-0031.jpg"><img class="alignleft size-medium wp-image-980" title="chicken skin gloves 003" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-0031-225x300.jpg" alt="" width="225" height="300" /></a><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-007.jpg"><img class="alignright size-medium wp-image-975" title="chicken skin glove" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-007-300x225.jpg" alt="" width="300" height="225" /></a>Limerick chicken skin gloves, cream edged at the wrist with silk, finely stitched, made of chicken skin and calf leather, early 19<sup>th</sup> century and glove of ‘chicken skin’ with walnut shell in which they were sometimes presented, date not recorded.</p>
<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-0181.jpg"><img class="aligncenter size-medium wp-image-981" title="chicken skin gloves 018" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/chicken-skin-gloves-0181-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p><strong>Limerick Gloves</strong> &#8211; a celebrated style of glove that became popular throughout England and Ireland during the late 18th, early 19th century. Commonly referred to as &#8216;chicken-skins&#8217;, the gloves were renowned for their exquisite texture. They were made from a thin strong leather derived from the skin of unborn calves and sold encased in a walnut shell.</p>
<p>By the early 19th century, Limerick gloves became a fashionable item, and, like French kid gloves, were admired for the superior quality of the leather and craftsmanship. They were generally produced  in various shades of cream and yellow and were typically worn during the day.</p>
<p>Although thought to have originated in Co. Limerick Ireland, the gloves were later manufactured in other cities throughout both Ireland and England. They continued to be produced on a very small scale until around the middle of the 19th century, however, by that time, pairs of  &#8217;original&#8217; Limerick gloves became increasingly hard to find. Various examples of these gloves can now be found within a number of museums and private collections across the UK and Ireland.</p>
<p><em>Thanks to Liza Foley for the text</em>    &#8216;Liza Foley, PhD candidate &#8211; NCAD&#8217;.<br />
In the early part of the 19th century Limerick was famed for gloves of pale yellow leather so thin that a pair could be folded up and placed inside a walnut shell – a dainty gift for a one’s ladylove. These are usually called ‘chicken skin’ gloves, which is, perhaps, a deliberate misnomer designed to hide the disagreeable fact that they were actually made from the skins of unborn calves. The hand-stitching is usually about thirty-two stitches to the inch and one pities the women and girls who scraped meager living from such exacting work.<br />
<em>Leather Craftsmanship J.W. Waterer</em></p>
<p>&nbsp;</p>
<p><strong>A Regency Ball Gown 200 Years Ago: April, 1812 « Jane Austen&#8217;s World</strong><br />
<a title="http://janeaustensworld.wordpress.com/2012/04/27/a-regency-ball-gown-200-years-ago-april-1812/" href="http://janeaustensworld.wordpress.com/2012/04/27/a-regency-ball-gown-200-years-ago-april-1812/">janeaustensworld.wordpress.com/2012/04/27/a-regen&#8230;</a><br />
<a href="edit-comments.php?s=69.170.134.46&amp;mode=detail">69.170.134.46</a></p>
<p><strong> “The Irish glover!” cried Mr. Hill, with a Look of Terror | Irish Historical Textiles</strong><br />
<a title="http://irishhistoricaltextiles.com/2012/04/09/the-irish-glover-cried-mr-hill-with-a-look-of-terror/" href="http://irishhistoricaltextiles.com/2012/04/09/the-irish-glover-cried-mr-hill-with-a-look-of-terror/">irishhistoricaltextiles.com/2012/04/09/the-irish-&#8230;</a></p>
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		<title>Samuel Pepys 1627</title>
		<link>http://www.museumofleathercraft.org/samuel-peyps/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=samuel-peyps</link>
		<comments>http://www.museumofleathercraft.org/samuel-peyps/#comments</comments>
		<pubDate>Mon, 23 May 2011 07:57:17 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Wallets and bags]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=288</guid>
		<description><![CDATA[A wallet of brown goatskin (morocco leather) with elaborate embroidery in silver wire: on the front Saml Pepys Esq.: on the back Constantinople Anno 1687. The secretary<a href="http://www.museumofleathercraft.org/samuel-peyps/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<p>A wallet of brown goatskin (morocco leather) with elaborate embroidery in silver wire: on the front Saml Pepys Esq.: on the back Constantinople Anno 1687. The secretary of the Admiralty was not in Constantinople in 1687. There is no proof that he ever owned the wallet but it is thought it may have been presented to him by a Turkish envoy.<br />
<em>Leather Craftsmanship J.W. Waterer</em></p>
<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-3a.jpg"><img class="alignleft size-thumbnail wp-image-324" title="Samuel Peyps " src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-3a-150x150.jpg" alt="" width="150" height="150" /></a><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-10a.jpg"><img class="size-thumbnail wp-image-321 alignleft" title="Samuel Peyps 10a" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-10a-150x150.jpg" alt="" width="150" height="150" /></a></p>
<p><strong>Born:</strong> 23 February 1633(1633-02-23) London, England</p>
<p><strong>Died: </strong>26 May 1703(1703-05-26) (aged 70) Clapham, England</p>
<p><strong>Resting place: </strong>St Olave&#8217;s, London, England</p>
<p><strong>Education:</strong> Huntingdon Grammar School, St Paul&#8217;s School and Cambridge University</p>
<p><strong>Occupation: </strong>Naval Administrator started off as Clerk of the Acts working his way up to Chief Secretary to the Admiralty and Tory Member of Parliament for Castle Rising and Harwich.</p>
<p><strong>Known for: </strong>Diary</p>
<p><strong>Political party:</strong> Tory</p>
<p><strong>Board member of: </strong>President of the Royal Society, Master of Trinity House, Freeman of the City of London, Freeman of Portsmouth, Treasurer of the Tangier Committee</p>
<p><strong>Religion: </strong>Anglican</p>
<p><strong>Spouse: </strong><em>Elisabeth Pepys (née de St Michel)</em><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-6a.jpg"><img class="size-thumbnail wp-image-323 alignleft" title="Samuel Peyps " src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-6a-150x150.jpg" alt="" width="150" height="150" /></a><br />
&nbsp;<br />
<em>(Wikipedia)</em><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-7a.jpg"><img class="alignleft size-thumbnail wp-image-322" title="Samuel Peyps " src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Samuel-Peyps-7a-150x150.jpg" alt="" width="150" height="150" /></a><strong> </strong></p>
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<p>A wallet seems to have been a species of travelling bag for carrying clothing and food – equivalent to what in medieval times were called ‘cloth sacks’ and /gardeviaunces’. To us the term usually indicates a flat, leather pocket case for papers, tickets and so on, although sometimes the flat, envelope-type, underarm document case is so styled. The pocket wallet goes back at least to the 17th century.<br />
<em>Leather Craftsmanship J.W. Waterer</em></p>
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		<item>
		<title>Georgina Goodman</title>
		<link>http://www.museumofleathercraft.org/741/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=741</link>
		<comments>http://www.museumofleathercraft.org/741/#comments</comments>
		<pubDate>Sun, 22 May 2011 22:47:33 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Footwear]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=741</guid>
		<description><![CDATA[Waterer Spiers collection April 2001 ‘Georgina Goodman’ the brand has become synonymous with uncompromising style, clarity of vision and discreet originality. Georgina Goodman the designer embodies that<a href="http://www.museumofleathercraft.org/741/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<div class="mceTemp">
<dl id="attachment_713" class="wp-caption alignleft" style="width: 310px;">
<dt class="wp-caption-dt"><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Shoe-Main1.jpg"><img class="size-medium wp-image-713" title="Shoe-Main" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Shoe-Main1-300x215.jpg" alt="" width="300" height="215" /></a> Waterer Spiers collection April 2001</dt>
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<p>‘Georgina Goodman’ the brand has become synonymous with  uncompromising style, clarity of vision and discreet originality.  Georgina Goodman the designer embodies that philosophy, which has led to  her being twice nominated ‘Accessory Designer of the Year’ by the  British Fashion Council, and has seen her establish long standing design  collaborations and consultancies with major fashion houses.</p>
<p>An early career in fashion journalism, in both Television and in  print, demonstrated Georgina’s unique eye for style. Ultimately, wanting  a further challenge, she enrolled on the BA in Footwear Design at the  world renowned Cordwainer’s College in London, graduating with a first  class degree. She went on to complete her Masters degree in  Womenswear/Footwear at the prestigious Royal College of Art.</p>
<p>In 2002 the first Georgina Goodman boutique in Mayfair opened,  offering a bespoke Couture service, followed by seasonal collections,  manufactured in Italy and with it the birth of the Georgina Goodman  brand. The shop soon became a ‘must visit’ destination for discerning  clients and style icons, drawn by the discreet luxury, stylish  inventiveness and attention to detail Georgina has become known for.  Georgina’s designs also attracted the attention, and won the acclaim, of  the international fashion media. Her unstinting creativity and desire  to explore her chosen craft through the prism of other art forms has  also led to shared projects with artists and filmmakers.</p>
<p>The Georgina Good<a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Shoe-Detail.jpg"><img class="alignleft size-medium wp-image-712" title="Shoe-Detail" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Shoe-Detail-225x300.jpg" alt="" width="225" height="300" /></a>man flagship store at 44 Old Bond Street opened in  2008 making her one of a handful of independent designers on London’s  most prestigious street. Now her distinctive hand-painted stripes and  the embossed words ‘Made in Love’ etched into the sole of each shoe can  be found on red carpets and in the finest high fashion retailers across  the world.</p>
<p>Recently Georgina has been made a member of the Worshipful Company of  Cordwainers, an honour only rarely awarded to a woman.  This and all  her other achievements acknowledge not only her uncommon talent but her  clarity of purpose and determination in creating ‘amazing shoes for  amazing women.’</p>
<p>Georgina’s philosophy has always been straightforward; Be Consistent,  Be Clear, Be Who We Really Are and most importantly; Be In Love.  This  philosophy is expressed in everything Georgina Goodman.</p>
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		<item>
		<title>Tania Clarke Hall</title>
		<link>http://www.museumofleathercraft.org/735/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=735</link>
		<comments>http://www.museumofleathercraft.org/735/#comments</comments>
		<pubDate>Sun, 22 May 2011 22:41:00 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Jewellery]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=735</guid>
		<description><![CDATA[WATERER SPIERS COLLECTION 2011 Award winning jeweller, Tania Clarke Hall set up her business nearly three years ago immediately after graduating with a first from Middlesex University’s<a href="http://www.museumofleathercraft.org/735/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_764" class="wp-caption alignleft" style="width: 258px"><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Tania-Clarke-Hall-.jpg"><img class="size-medium wp-image-764" title="Tania Clarke Hall" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Tania-Clarke-Hall--248x300.jpg" alt="" width="248" height="300" /></a><p class="wp-caption-text">Waterer Spiers Collection 2011</p></div>
<p><strong><strong>WATERER SPIERS COLLECTION 2011</strong></strong></p>
<p>Award winning jeweller, Tania Clarke Hall set up her business nearly three years ago immediately after graduating with a first from Middlesex University’s BA Jewellery course and was selected to show at Galerie Marzee’s International Graduation Show which exhibits the work of top jewellery graduates from across Europe.</p>
<p>Within a year she had picked up a commendation award from the Goldsmith’s Craft &amp; Design Council Award, reflecting both the quality of her design and craftsmanship.  Success followed swiftly with her work being sold in the V&amp;A Shop, Tate Modern and Kabiri.  In March 2010, her ‘Festival’ collection, specially commissioned by Southbank Centre was launched.</p>
<p>Tania challenges the way in which leather is used within jewellery.  She goes beyond the predictable; burning, colouring, slashing and moulding the cut edge to create graphic, sculptural pieces.</p>
<p>Her love of architecture, Japanese design and a degree in chemistry and archaeology have fuelled her passion for and provided her with a fresh, intelligent perspective on jewellery design.</p>
<p>Working from her studio close to Hatton Garden’s historic jewellery quarter, she is recognised for her playful, experimental approach and bold, elegant, highly wearable pieces.</p>
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		<title>Amma Gyan</title>
		<link>http://www.museumofleathercraft.org/amma-gyan-3/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=amma-gyan-3</link>
		<comments>http://www.museumofleathercraft.org/amma-gyan-3/#comments</comments>
		<pubDate>Sun, 22 May 2011 14:43:46 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Jewellery]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=814</guid>
		<description><![CDATA[WATERER SPIERS COLLECTION 2011 Amma Gyan first trained as a ladies wear designer and pattern cutter at the London Institute, which lead to the launch of her<a href="http://www.museumofleathercraft.org/amma-gyan-3/">...read more &#187;</a>]]></description>
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<p><strong>WATERER SPIERS COLLECTION 2011</strong></p>
<p>Amma Gyan first trained as a ladies wear designer and pattern cutter at the London Institute, which lead to the launch of her own label of women&#8217;s clothing. This allowed her to explore different materials and mediums which eventually steered her to a love of leather.</p>
<p>Taking this desire for the feel and diversity of leather, her aim became one of combining the two things she loved, fashion and craft, specialising in bags with the intention of developing an artistic, craft orientated fashion label.</p>
<p>Although the bag industry offered a commercial outlet for her creativity Amma sort a means of expressing her artistic desires in a way that was not constrained by practical limitations. With the desire to still work with leather Amma discovered and learnt the art of moulding leather. &#8220;When I work with naturally tanned leather I&#8217;m reminded of the form that this once was and how I&#8217;m grateful that it allows me to create beautiful and challenging objects.  My current collection &#8216;Ivy&#8217; has been developed and constructed to illustrate freedom and movement, something that we&#8217;re all entitled to, often taken for granted, and occasionally not appreciated.”</p>
<p>&nbsp;</p>
<p>Amma Gyan awarded Silver medal &#8216;Craft &amp; Design&#8217; Selected Awards 2011  at <a href="http://www.craftanddesign.net/awards/selected/2011/winners/" target="_blank">http://www.craftanddesign.net/awards/selected/2011/winners/</a></p>
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		<title>Tanya Igic</title>
		<link>http://www.museumofleathercraft.org/tanya-igic-5/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tanya-igic-5</link>
		<comments>http://www.museumofleathercraft.org/tanya-igic-5/#comments</comments>
		<pubDate>Sun, 22 May 2011 09:24:32 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Jewellery]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=796</guid>
		<description><![CDATA[WATERER SPIERS COLLECTION 2011 Tanya Igic is a contemporary jewellery designer originally from Serbia. After completing a degree in Economics, moving to the UK gave Tanya opportunity to<a href="http://www.museumofleathercraft.org/tanya-igic-5/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_774" class="wp-caption alignleft" style="width: 310px"><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Tanya-Igic1.jpg"><img class="size-medium wp-image-774" title="Tanya Igic" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Tanya-Igic1-300x248.jpg" alt="" width="300" height="248" /></a><p class="wp-caption-text">Tanya Igic</p></div>
<p><strong>WATERER SPIERS COLLECTION 2011</strong></p>
<p>Tanya Igic is a contemporary jewellery designer originally from Serbia. After completing a degree in Economics, moving to the UK gave Tanya opportunity to develop what was a part-time business into a full-time career in jewellery with the emphasis on innovative and creative design. Tanya is a leather jeweller with a very unique and individual technique.</p>
<p>Working with the finest quality delicate leather in many beautiful shades and influenced by floral, natural or abstract motifs, Tanya produces wide range of elegant necklaces, earrings, bracelets, brooches as well as bridal accessories. Her technique is unusual and innovative and involves a complex design and manufacture process.</p>
<p>After selecting the best leather skin and colour, Tanya cuts and seals together up to eleven layers to form the required shape. When dry the layered shape is cut into thin slices. The softness of the leather allows Tanya to stretch these slices into shapes which are then bonded together. Silver wires and beads are then added as embellishments. Each piece is extremely labour intensive but the effect is truly exquisite. This exciting and innovative work is produced in bright, natural, pastel colour.</p>
<p>Tanya exhibits at  major events, shows and galleries across the country and sells via design-led retail outlets as well as established galleries.</p>
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		<title>Kate Sheridan</title>
		<link>http://www.museumofleathercraft.org/780/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=780</link>
		<comments>http://www.museumofleathercraft.org/780/#comments</comments>
		<pubDate>Sun, 22 May 2011 08:54:50 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Jewellery]]></category>
		<category><![CDATA[Waterer Spiers]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/admin/?p=780</guid>
		<description><![CDATA[WATERER SPIERS COLLECTION 2011 &#160; Designer Kate Sheridan graduated with honours from the world-renowned CORDWAINERS College in 1997. She began earning her fashion-industry stripes as press-officer for<a href="http://www.museumofleathercraft.org/780/">...read more &#187;</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_767" class="wp-caption alignleft" style="width: 310px"><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Kate-Sheridan.jpg"><img class="size-medium wp-image-767" title="Kate Sheridan" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/05/Kate-Sheridan-300x249.jpg" alt="Designer Kate Sheridan graduated with honours from the world-renowned Cordwainers College in 1997. She began earning her fashion-industry stripes as press-officer for 'Patrick Cox'. Following that Kate went on to work with 'Johnny Moke' where she originated the concept for Johnny's first-ever handmade jewellery collection, under the label 'Moke Nowe' featuring leather, ponyskin and antique glass beads. That collection attracted a great deal of high-profile press all over the world and was snapped up by several exclusive fashion retailers in Japan.  Kate then went on to collaborate on collections for lingerie and leisurewear label 'Shopgirl' in London, creating top-selling ranges as diverse as 'Babycham' jewellery and a limited-edition line of trainers for Dunlop. Growing in confidence and inspired by these design collaborations, Kate decided the time was right to turn her unique vision into something solid which could grow with her experience and talent. So, in 2001 her friend Helen Minns a graduate in textile design from St Martins and she launched their label ‘Sheridan + Minns’ at London's Fashion Week to rave reviews. 'Sheridan + Minns' went on to retail in cutting-edge boutiques in England, all over Europe and in the Far East and garnered copious and highly favourable coverage from fashion and lifestyle publications worldwide. Spring/Summer 2004 saw 'Sheridan + Minns' streamlined into ‘Kate Sheridan’ with extremely positive results. Since that debut, 'Kate Sheridan' the label has matured and developed into Kate's instantly recognisable brand of offbeat, poppy and unique bags and accessories. Her twice-yearly collections continue to gain interest from fashion press and buyers alike. In the past six months, Kate has been asked to design a range of brand-new and exclusive fabric prints for super-hip chain 'Urban Outfitters' which have been very well received. She has also created her own diffusion line for England's best-loved and brightest fashion retailer 'TopShop' which has been selling like the proverbial hot cakes!  The 'Kate Sheridan' brand continues to go from strength to strength in terms of sales and solidifying its identity and profile and is now available from stockists the world over including: 'Broderna Erikssons Dammode' in Sweden, 'Order &amp; Progress' in Australia, 'Fenwick', 'Graham &amp; Green',' Labour of Love' and, of course, 'Urban Outfitters' and 'TopShop' in London. " width="300" height="249" /></a><p class="wp-caption-text">Kate Sheridan</p></div>
<p><strong>WATERER SPIERS COLLECTION 2011</strong></p>
<p>&nbsp;</p>
<p>Designer Kate Sheridan graduated with honours from the world-renowned CORDWAINERS College in 1997. She began earning her fashion-industry stripes as press-officer for &#8216;Patrick Cox&#8217;. Following that Kate went on to work with &#8216;Johnny Moke&#8217; where she originated the concept for Johnny&#8217;s first-ever handmade jewellery collection, under the label &#8216;Moke Nowe&#8217; featuring leather, ponyskin and antique glass beads. That collection attracted a great deal of high-profile press all over the world and was snapped up by several exclusive fashion retailers in Japan.  Kate then went on to collaborate on collections for lingerie and leisurewear label &#8216;Shopgirl&#8217; in London, creating top-selling ranges as diverse as &#8216;Babycham&#8217; jewellery and a limited-edition line of trainers for Dunlop.<br />
Growing in confidence and inspired by these design collaborations, Kate decided the time was right to turn her unique vision into something solid which could grow with her experience and talent. So, in 2001 her friend Helen Minns a graduate in textile design from St Martins and she launched their label ‘Sheridan + Minns’ at London&#8217;s Fashion Week to rave reviews. &#8216;Sheridan + Minns&#8217; went on to retail in cutting-edge boutiques in England, all over Europe and in the Far East and garnered copious and highly favourable coverage from fashion and lifestyle publications worldwide.<br />
Spring/Summer 2004 saw &#8216;Sheridan + Minns&#8217; streamlined into ‘Kate Sheridan’ with extremely positive results. Since that debut, &#8216;Kate Sheridan&#8217; the label has matured and developed into Kate&#8217;s instantly recognisable brand of offbeat, poppy and unique bags and accessories. Her twice-yearly collections continue to gain interest from fashion press and buyers alike. In the past six months, Kate has been asked to design a range of brand-new and exclusive fabric prints for super-hip chain &#8216;Urban Outfitters&#8217; which have been very well received. She has also created her own diffusion line for England&#8217;s best-loved and brightest fashion retailer &#8216;TopShop&#8217; which has been selling like the proverbial hot cakes!<br />
The &#8216;Kate Sheridan&#8217; brand continues to go from strength to strength in terms of sales and solidifying its identity and profile and is now available from stockists the world over including: &#8216;Broderna Erikssons Dammode&#8217; in Sweden, &#8216;Order &amp; Progress&#8217; in Australia, &#8216;Fenwick&#8217;, &#8216;Graham &amp; Green&#8217;,&#8217; Labour of Love&#8217; and, of course, &#8216;Urban Outfitters&#8217; and &#8216;TopShop&#8217; in London.</p>
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		</item>
		<item>
		<title>Shagreen box</title>
		<link>http://www.museumofleathercraft.org/shagreen-box-3/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shagreen-box-3</link>
		<comments>http://www.museumofleathercraft.org/shagreen-box-3/#comments</comments>
		<pubDate>Mon, 16 May 2011 23:10:46 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Domestic]]></category>
		<category><![CDATA[Shagreen]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/?p=1133</guid>
		<description><![CDATA[Box covered with unstained shagreen, having a drawer. Silver mounts include the initials I.Y. Provenance unknown, 18th century.]]></description>
			<content:encoded><![CDATA[<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box-1.jpg"><img class="alignright size-medium wp-image-1079" title="shagreen box 1" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box-1-300x200.jpg" alt="" width="300" height="200" /></a>Box covered with unstained shagreen, having a drawer. Silver mounts include the initials I.Y. Provenance unknown, 18th century. <a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box-2.jpg"><img class="aligncenter size-thumbnail wp-image-1080" title="shagreen box 2" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box-2-150x150.jpg" alt="" width="150" height="150" /></a><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box.jpg"><img class="alignleft size-thumbnail wp-image-1081" title="shagreen box" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/shagreen-box-150x150.jpg" alt="" width="150" height="150" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Knife and Fork</title>
		<link>http://www.museumofleathercraft.org/knife-and-fork/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=knife-and-fork</link>
		<comments>http://www.museumofleathercraft.org/knife-and-fork/#comments</comments>
		<pubDate>Mon, 16 May 2011 21:52:52 +0000</pubDate>
		<dc:creator>Museum-Admin1</dc:creator>
				<category><![CDATA[Domestic]]></category>
		<category><![CDATA[Shagreen]]></category>

		<guid isPermaLink="false">http://www.museumofleathercraft.org/?p=1100</guid>
		<description><![CDATA[&#160; Knife and Fork Set: Case of unpolished shagreen with ivory-handled knife and fork. probably 17th century]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/Knife-and-fork-set-1.jpg"><img class="alignleft size-medium wp-image-1072" title="Knife and fork set 1" src="http://cdn.museumofleathercraft.org/admin/wp-content/uploads/2011/11/Knife-and-fork-set-1-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>Knife and Fork Set: Case of unpolished shagreen with ivory-handled knife and fork. probably 17th century</p>
]]></content:encoded>
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